![]() ![]() ![]() But by decade's end, they had veered closer to the mainstream with bright, synth-speckled pop singles like "The Motion of Love," a shift that prompted a disillusioned Michael to leave the band in 1989. On early singles like "Bruises" and "Always a Flame," Gene Loves Jezebel came off as a more freakish, flamboyant answer to their then-nascent contemporaries U2, using slashing guitars and propulsive rhythms as the launchpads for their broodingly romantic lyrics and soaring choruses. band were instrumental in initiating post-punk's transition into pop, fashioning a signature style of goth-rock that shimmied out from the dark shadows and onto the shiny dance floor. Led by twin brothers Jay and Michael Aston, the U.K. Though they named themselves in honor of rockabilly legend Gene Vincent and his 1961 single "Jezebel," Gene Loves Jezebel were no retro throwback act when they first emerged in 1982.
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